In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Sir Edward Coley Burne-Jones, Bt 1833–1898
- Medium
- Graphite on paper
- Dimensions
- Support: 126 × 179 mm
- Collection
- Tate
- Acquisition
- Bequeathed by A.N. MacNicholl 1916
- Reference
- A00064
Explore
- objects(23,571)
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- clothing and personal items(5,879)
- actions: postures and motions(9,111)
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- sitting(3,347)
- woman(9,110)
You might like
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Sir Edward Coley Burne-Jones, Bt Study of a Sleeping Woman’s Head, possibly for ‘The Rose Bower’ in the ‘Briar Rose’ Series
c.1871–3 -
Sir Edward Coley Burne-Jones, Bt Study of a Seated Woman for ‘The Passing of Venus’
c.1877 -
Sir Edward Coley Burne-Jones, Bt Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series
c.1873 -
Sir Edward Coley Burne-Jones, Bt Figure Study for ‘The Rose Bower’ (Briar Rose Series). Verso: Study of the Head of Merlin for ‘The Beguiling of Merlin’
c.1872–7 -
Sir Edward Coley Burne-Jones, Bt Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire
c.1863 -
Sir Edward Coley Burne-Jones, Bt Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire
c.1863 -
Sir Edward Coley Burne-Jones, Bt Study of a Male Figure for ‘Clerk Saunders’
c.1861 -
Sir Edward Coley Burne-Jones, Bt Study of a Seated Woman for ‘The Hours’
c.1866 -
Sir Edward Coley Burne-Jones, Bt Study of a Reclining Figure
date not known -
Sir Edward Coley Burne-Jones, Bt Figure Study
date not known -
Sir Edward Coley Burne-Jones, Bt Sketch of Two Seated Figures: ‘Chant d’Amour’
c.1862–5 -
Sir Edward Coley Burne-Jones, Bt Sketch of Two Seated Figures for ?‘The Backgammon Players’
?c.1861 -
Sir Edward Coley Burne-Jones, Bt Study of a Draped Male Figure. Verso: Man with Sword
c.1879 -
Sir Edward Coley Burne-Jones, Bt Figure Study. Verso: Study for an Annunciation?
date not known -
Sir Edward Coley Burne-Jones, Bt Studies of Drapery and the Figure of the Virgin for the ‘Annunciation’ in the Church of St Martin’s-on-the-Hill, Scarborough, Yorkshire
c.1862
