Not on display
- Artist
- Sir Edward Coley Burne-Jones, Bt 1833–1898
- Medium
- Oil paint on 3 canvases
- Dimensions
- Frame: 1336 × 984 × 85 mm
support: 1086 × 737 mm
frame: 1339 × 1819 × 80 mm
support: 1086 × 1562 mm
frame: 1333 × 984 × 80 mm
support: 1086 × 737 mm - Collection
- Tate
- Acquisition
- Presented by G.H. Bodley in memory of George Frederick Bodley 1934
- Reference
- N04743
Display caption
This triptych was originally commissioned for the Church of St Paul's, Brighton. It is one of the most important large-scale works from the early part of Burne-Jones's career. After it had been installed in St Paul's he decided that the central panel was too complicated and went on to paint a second version for the church. His handling of the Biblical story owes much to the paintings of the Italian Renaissance, particularly to nativity scenes by Fra Angelico and Tintoretto. He was also influenced by Rossetti, who was then working on a triptych for Llandaff Cathedral. Among those who modelled for the picture were William and Jane Morris, and the poet Algernon Charles Swinburne.
Gallery label, September 2004
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- interiors(2,776)
-
- workspaces(918)
-
- stable(15)
- music and entertainment(2,331)
-
- music(916)
- clothing and personal items(5,879)
-
- armour(107)
- curtain(250)
- brazier(11)
- crown(88)
- vase(287)
- sword(212)
- actions: expressive(2,622)
-
- greeting(89)
- baby(526)
- black(796)
- group(4,227)
- Morris, Jane(4)
- Morris, William(15)
- Rossetti, Dante Gabriel(25)
- male(959)
- Bible: New Testament(545)
-
- Annunciation(20)
- Christ(281)
- Magi, Wise Men(3)
- Nativity(30)
- Virgin Mary(148)
- St Joseph(31)
- angel(267)
- inscriptions(6,664)
-
- religious(17)
- arts and entertainment(7,210)
-
- musician(789)
- maid(115)
- king(115)
You might like
-
Sir Edward Coley Burne-Jones, Bt Two Studies of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire
c.1863 -
Sir Edward Coley Burne-Jones, Bt Study of the Head of a Female Attendant for ‘The Adoration of the Kings’
c.1861 -
Sir Edward Coley Burne-Jones, Bt Study for Tile of the ‘Story of Beauty and the Beast’. Verso: Study for ‘Wine of Circe’
c.1862, c.1863 -
Dante Gabriel Rossetti The Adoration
1858–64 -
Sir Edward Coley Burne-Jones, Bt Composition Study for ‘Ezekiel and the Boiling Pot’
c.1860 -
Sir Edward Coley Burne-Jones, Bt Thisbe
1861 -
Sir Edward Coley Burne-Jones, Bt Dido
1861 -
Sir Edward Coley Burne-Jones, Bt King Cophetua and the Beggar Maid
1884 -
Ford Madox Brown Lear and Cordelia
1849–54 -
Sir Edward Coley Burne-Jones, Bt The Temple of Love
date not known -
Sir Edward Coley Burne-Jones, Bt King Cophetua and the Beggar Maid
1862 -
Sir Edward Coley Burne-Jones, Bt The Finding of Medusa; The Death of Medusa (The Birth of Pegasus and Chrysaor); Perseus Pursued by the Gorgons
1875–6 -
Sir Edward Coley Burne-Jones, Bt Atlas Turned to Stone; The Rock of Doom and the Doom Fulfilled; The Court of Phineas; The Baleful Head
1875–6 -
Sir Edward Coley Burne-Jones, Bt Study of the Image for ‘The Godhead Fires’ in the ‘Pygmalion and the Image’ Series
c.1868 -
Sir Edward Coley Burne-Jones, Bt Study of the Maid for ‘King Cophetua and the Beggar Maid’
1883–4
