In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Sir Edward Coley Burne-Jones, Bt 1833–1898
- Medium
- Graphite and chalk on paper
- Dimensions
- Support: 179 × 335 mm
- Collection
- Tate
- Acquisition
- Bequeathed by J.R. Holliday 1927
- Reference
- A00091
Explore
- people(22,072)
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- actions: postures and motions(9,111)
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- head in hand / hands(278)
- sitting(3,347)
- actions: processes and functions(2,161)
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- sleeping(315)
- adults(20,120)
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- man(10,453)
- nudes(2,569)
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- male(959)
You might like
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Sir Edward Coley Burne-Jones, Bt Study of a Seated Woman for ‘The Passing of Venus’
c.1877 -
Sir Edward Coley Burne-Jones, Bt Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series
c.1873 -
Sir Edward Coley Burne-Jones, Bt Study of Seated Figure for ‘The Garden Court’ in the ‘Briar Rose’ Series
c.1873 -
Sir Edward Coley Burne-Jones, Bt Two Studies of Tristram for ‘The Madness of Sir Tristram’
c.1862 -
Sir Edward Coley Burne-Jones, Bt Nude Study of Knight for ‘The Merciful Knight’
c.1863 -
Sir Edward Coley Burne-Jones, Bt Nude Study of the Knight for ‘The Merciful Knight’
c.1863 -
Sir Edward Coley Burne-Jones, Bt Nude Study of Knight for ‘The Merciful Knight’
c.1863 -
Sir Edward Coley Burne-Jones, Bt Study of a Seated Male Nude for ‘The Liberation of St Peter’ in the Church of St Michael and All Angels, Lyndhurst, Hampshire
c.1863 -
Sir Edward Coley Burne-Jones, Bt Study of a Male Figure for ‘Clerk Saunders’
c.1861 -
Sir Edward Coley Burne-Jones, Bt Study of a Seated Woman for ‘The Hours’
c.1866 -
Sir Edward Coley Burne-Jones, Bt Sketch of Two Seated Figures: ‘Chant d’Amour’
c.1862–5 -
Sir Edward Coley Burne-Jones, Bt Atlas Turned to Stone; The Rock of Doom and the Doom Fulfilled; The Court of Phineas; The Baleful Head
1875–6 -
Sir Edward Coley Burne-Jones, Bt Study of the Pilgrim for ‘The Pilgrim at the Garden of Love’
c.1872–7 -
Sir Edward Coley Burne-Jones, Bt Study of Perseus for ‘The Call of Perseus’
c.1877 -
Sir Edward Coley Burne-Jones, Bt Study of the Image for ‘The Godhead Fires’ in the ‘Pygmalion and the Image’ Series
c.1868
