Tate Papers

Papers on the São Paulo Biennial (1964–85), a focus on socially engaged art and technical analysis of a Burne-Jones altarpiece

A group of papers on John Constable, and articles on Renato Guttuso, Jessa Fairbrother, Eva Hesse, and more

Focusing on ‘American art’, provincialism and transnationalism; and including articles on Joseph Beuys, Nam June Paik and experimental Philippine art

Joseph Beuys is the main focus of this issue, which also includes papers on Frank Bowling and Anthony Hill

A collection of papers from the ‘Positioning Nigerian Modernism’ conference, plus reflections on Tate Exchange

Including nineteenth-century sculptor John Gibson, practice-based research, former Tate director John Rothenstein’s curatorial vision and Chris Ofili’s The Upper Room

Examining seven works – three by Picasso, four by Picabia – all with paintings hidden beneath paintings

This issue features exchanges between British and American artists: David Hockney, Sargent, Joseph Pennell and more

Richard Hamilton, Bruce Nauman, Hungarian neo-avant-garde and contemporary art, and Meyer Schapiro

The politics of collaboration, Turner, Hepworth and the value of exhibitions

The internationalism of pop art, William Hazlitt, Paul Thek and Lynn Hershman Leeson

Art and ideas from Asia, politics, action and the body, Mark Rothko, Jay DeFeo, and visual experience in British art

Ludic exhibitions, Hepworth, learning at Tate, Victorian domestic art, deserts and ‘the end’

Paolozzi, Schendel, Sylvester, contemporary Chinese art, and photography and the American West

Adrian Stokes, Kenneth Clark, Barbara Hepworth and a newly restored sixteenth-century portrait

August Sander, Edward Burra, Akram Zaatari, learning and institutional critique, and Tate’s Digital Strategy

A group of papers on ‘involuntary drawing’, and others on Anthony Van Dyck, John Everett Millais, Allan Sekula

A group of papers from the ‘Art & Environment’ conference at Tate, as well as Francis Bacon, Edgar Degas and Van Dyck

The life and legacy of critic Lawrence Alloway and a report on learning initiatives associated with the ARTIST ROOMS collection

Carsten Höller, Henry Moore, David Musgrave, and articles from the conference Interpretation, Theory & the Encounter at Tate Britain

William Blake, drawing as a modern art practice, the sublime, Naum Gabo, Liubov Popova and Richard Hamilton

Articles from ‘Wrong From the Start’: Modernism and the Sublime, Anna Cutler on learning in cultural institutions, Tate’s online strategy

Including papers from Landmark Exhibitions: Contemporary Art Shows since 1968, and Rodchenko, The Other Story, art spaces in Beirut, and more

The artist as educator, Rothko interpretation at Tate, Sally Tallant on integrated programming, and more

Andrei Tarkovsky, a group of articles on Cy Twombly, the evolution of Tate’s peer-led youth group Tate Forum, and more

A collection of articles originating from the Archival Impulse Study Day at Tate Britain, as well as Alfredo Jaar, Constable and Hans Hartung

A collection of papers produced for Inherent Vice: The Replica and its Implications in Modern Sculpture, at Tate Modern

Gordon Matta-Clark and Le Corbusier, reconstructing artists’ oil painting materials, Augustus Leopold Egg, Josef Albers and Eva Hesse

Alfred Watkins, Rodney Graham, Edward Hopper, time-based media conservation, cleaning acrylic emulsion paint, Wassily Kandinsky

John Constable, Frances Hodgkins, Marcel Duchamp, Walter Sickert and seaside Pierrots, Jack Burnham’s systems aesthetics

Joseph Beuys, Emila Medková, the Schools Programme at Tate Modern, Thomas Gainsborough, Eileen Agar

Victor Burgin, the work of education curators at Tate, Thomas Guest and Paul Nash, Marcel Duchamp and Richard Hamilton

Teaching interpretation, New Media Art, painting conservation, E.A. Hornel, relational aesthetics, Donald Judd, and more

Art & Language, Doris Salcedo, Anthony Van Dyck, Gary Hill, Joseph Cornell, Henry Fuseli, Michael Landy, Bernd and Hilla Becher