Media Networks
See how artists in Tate’s collection have responded to the impact of mass media
© Lee Mawdsley
Look at some of the ways in which artists over the past hundred years have responded to the impact of mass media and the ever-changing technologies that shape our world.
Including a diverse range of techniques and materials – from posters and paint to analogue and digital technology – the display raises questions around feminism, consumerism and the cult of celebrity.
12 rooms in Media Networks
Roy Lichtenstein, Whaam! 1963
Whaam! is based on an image Lichtenstein found in a 1962 DC comic, All American Men of War. Lichtenstein often used art from comics and adverts in his paintings. He saw the act of taking an existing image and changing the context as a way of transforming it’s meaning. Lichtenstein was interested in emotional subjects, such as love and war. His work takes on these themes in a distant and impersonal way.
Gallery label, July 2020
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highlights in Media Networks
Cildo Meireles, Babel 2001
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highlights in Media Networks
León Ferrari, [no title] 2001, reproduced 2007
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highlights in Media Networks
Guerrilla Girls, The Advantages Of Being A Woman Artist 1988
The Guerrilla Girls are an anonymous group of activist artists who highlight sexism and racism in the art world. They formed in 1985 in New York City, USA. Shortly after, their posters appeared overnight in the streets of the New York art district of SoHo. The group’s targets included artists, gallery owners, and museums. Over the years their focus has widened to include other areas of inequality. The Guerrilla Girls wear gorilla masks in public and use pseudonyms. They continue to expose discrimination and to produce new provocative posters. Their work now includes books, videos and workshops in schools, colleges and art institutions.
Gallery label, August 2021
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highlights in Media Networks
Highlights